Merry Christmas 2020 From La Bartista & "TDS"! :)

 

Vintage Christmas card image courtesy of Pinterest

"Give the Boots the Stars Wear" Revisited!

 Hello Everyone,

Christmas will be here in just a few days! So, what better time to revisit the "Give the Boots the Stars Wear" Acme Boots ad campaign. This colorful holiday-themed magazine page from the Kellection dates back to December 1959:

As Santa says, "Here's authentic western style, fiery color, imaginative design--all in comfortable, sturdy-wearing boots that live up to the legend of the west, every day of the year! No gift ever speaks with such understandable language to youngsters...'the boots the stars wear...Acme Boots.'"

Here's a closer look at those Warner Bros. western stars, headed by Jack Kelly and James Garner of Maverick:

And, a close-up of those magnificent Maverick boots:

Lucky was the little cowboy or cowgirl who found this footwear under the tree on Christmas morning! 

What will you find in the next TDS? Stay tuned and "Yule" find out! :)

Bart Is Kitty Cornered

Hello Everyone,

On this date in 1958, the Maverick episode "Prey of the Cat" premiered. It's one of the most dramatic and harrowing installments of the series. It's also the closest thing Maverick ever had to a Christmas episode, although the holiday is only incidental to the plot.

When his horse is spooked by a mountain lion, Bart falls and breaks his leg. He's rescued by rancher Pete Stillman (Wayne Morris), who takes Bart into his home to recuperate from the injury. While Bart recovers with the help of Stillman's wife, Kitty (Patricia Barry), the ranch has a Christmas celebration.

The day finally comes when Bart feels he's well enough to leave the ranch. However, Kitty has become obsessed with Bart. Desperate for  him to stay, she suddenly throws herself into his arms. Bart breaks free of Kitty's unwanted embrace, but not before it's witnessed by Bender the ranch foreman.

Pete asks Bart to remain at the ranch long enough to help him and Kitty hunt the puma who caused Bart's accident. During the hunt, the trio spreads out. Bart shoots at the cat. But, instead of finding it, he discovers Pete Stillman's corpse.

Kitty tells the sheriff that Pete's shooting was accidental and that Bart's bullet ricocheted off the rocks. Bart isn't charged. But, Bender blabbed about seeing the embrace, and Bart knows the town has already judged him guilty. 

Then, he's confronted by Pete's former girlfriend, Raquel (Yvette Dugay). She's heard the rumors about Bart and Kitty, and wants to kill Bart. However, he convinces Raquel that he is innocent of killing Pete.

Bart once more lets Kitty know that he's leaving. But, she confesses that she killed Pete so they could be together. Bart realizes Kitty is insane. She further informs Bart that if ever tries to leave her, she'll tell the sheriff that he killed Pete and that she just lied to protect him. 

A shaken Bart reveals Kitty's statements to the sheriff, but Kitty sticks to her original story. The sheriff now thinks Bart and Kitty are in cahoots. He orders Bart to stay at the ranch with Kitty, assuming that one of them will eventually crack and tell the truth.

Although he knows it will make him look guilty, Bart escapes during the night. He's re-captured and returned to the ranch--where Kitty is found with her throat slashed.

Now suspected of both murders, Bart watches helplessly from his jail cell as the sheriff resigns. The vengeful townspeople storm the jail, put Bart on a horse, and slip a noose around his neck. Bender raises a riding crop to strike Bart's mount so the horse will run out from under him. Bart is a hairbreadth away from being wrongfully executed. But, before the crop touches the horse...

You'll have to watch the episode to find out what happens next. It's one of Maverick's best. 

Please CATch the next TDS for more about Jack Kelly. :)

"Maverick" and Moppets :)

Clipart image of kids watching TV courtesy Clipartmag.com; 

image of Jack Kelly from the La Bartista Kellection

Howdy!

Like most of us, I grew up watching television. One of my earliest childhood memories is of eating a messy chocolate cupcake while watching The Lone Ranger on TV. 

So, when I recently stumbled upon a scholarly study about television and children which was published in the late 1950's, I was fascinated. Now, I wasn't around in the Fifties, but I've seen reruns of many of the programs mentioned in the study, including Maverick. 

Which age groups were most captivated by Bart and Bret? Let's find out:

First, a bit of background. The study is titled "Television in the Life of a Child--Implications for the School". It was authored by Wilbur Schramm of Stanford University. 

Dr. Schramm opens his study by explaining, "This paper is concerned with an activity which fills approximately one-sixth of the waking hours of an American child three years of age or over. It is an activity which ten years ago was known to only a few children, but in the last decade has replaced many of their other activities and rearranged their lives on a grand scale. Furthermore, this activity represents an experience so potent and flexible that it not only serves as the source of externally controlled recreation for children, but also is coming to be entrusted with a part of the teaching function of the schools. I refer, of course, to television."

(Naturally, today "television" could be substituted with "computing", "cell phone use", "social media use", etc.)

Dr. Schramm also noted that studies at the time revealed elementary school students viewed two to three-and-a-half hours of TV each day; their use of television began early (he recalls seeing babies in bassinets watch horses run across the TV screen); by age six, 90 percent of children were viewing television, meaning "that the average child brings to the first grade with him whatever adheres to his vocabulary, his values, and his picture of environment from several years of watching television."

Schramm discovered that--surprise!--the kids who were surveyed didn't really watch much educational TV. What did they watch instead? 

"As the child passes through the school years, childish programs are gradually replaced with adventure, crime, family serials and popular dance. Disneyland and Zorro dominate the first six school years; 77 Sunset Strip, Maverick, American Bandstand and Peter Gunn, the second six years."

Maverick was the third most popular program among 5th graders and fourth among 6th graders. It was first with 8th grade boys and third with 8th grade girls. 10th grade boys placed Maverick second in popularity and 10th grade girls rated it fourth. Finally, 12th grade boys put Maverick in second place and 12th grade girls ranked it in third place. Other popular programs among teens included The Rifleman, Sea Hunt and Gunsmoke.

There's some hand-wringing in the study about how all this TV viewing might cause youngsters to imitate things they saw on screen.  Well, I watched a lot of Bugs Bunny as a kid and have never had the slightest inclination to drop an anvil on anyone. And, watching TV led me to Maverick and Jack Kelly, and that's not a bad thing. :) 

Please stay tuned for additional studious dissertations on Mr. John A. Kelly, Jr., er, more fun with JK in the next TDS!

Color Him Ambitious :)

 Hello Everyone, 

In the 1961 feature film A Fever In the Blood, Jack Kelly plays an ambitious district attorney named "Dan Callahan":

Detail from original vintage B&W A Fever In the Blood promo portrait
of Jack Kelly from the La Bartista Kellection. Hand-tinted by La Bartista 

using photo editing software.

Although JK's character isn't mentioned by name in the contemporaneous newspaper review below, the author does provide a cynical but accurate analysis of A Fever In the Blood. In fact, the title of the review sums up the plot pretty well: "All's Fair in Politics and Murder". 

The review begins, "If the men in a movie called A Fever in the Blood had as much blood in them as they have fever, this might be a useful study of professional politicians who have little aptitude for their work."

It continues, "The title of this movie...implies that politics is a disease. But like many films that deal with disease, this one suffers from the symptoms which it seeks to diagnose. Its real conviction is that politics is a fascinating fight for power, that the details of this fight are dramatic and important, that honesty is a doubtful asset which sometimes wins on a fluke, and that 90 minutes in a theater are well-spent if they reveal which one of a group of tricksters finally becomes governor of an unfortunate anonymous state.

"Almost everyone in the movie wants to become governor...In one courtroom scene, during a murder trial, the presiding judge [Efrem Zimbalist, Jr.] is a candidate for governor; the district attorney [JK] is a rival candidate; one of the witnesses [Herbert Marshall] is an ex-governor who is a force in the election; and in the judge's chambers next door is another candidate [Don Ameche] who is waiting for a recess so that he can offer the judge a bribe...Justice fights with politics for the camera's attention and it is hard to say which is more unattractive as presented here. This is a movie divided against itself, as they say in politics. The question becomes whodunnit instead of whowunnit."

The reviewer has several objections to how the trial is depicted, describing it as "bizarre" and noting that "the judge fails to disqualify himself from sitting on the case even though the prosecuting attorney is a close personal duck-hunting friend, and even though their lives are all snarled up in political maneuverings."

He also pinpoints one of the major faults of A Fever In the Blood: "Its style of storytelling seems to be adapted from television. The action always has an indoors and confined feeling, and the shots are tight, close-in, and hurried, as though they must move out of the way of the next commercial...The movie needs more elbow room, and it needs to take a deep breath."

Well, A Fever In the Blood is still worth watching, even if only to see JK.

The original vintage B&W A Fever In the Blood promo portrait 

of Jack Kelly from the La Bartista Kellection from which the color detail above was created.

 Please stay tuned for more about JK in the next TDS. :)

Happy Thanksgiving 2020

Vintage Thanksgiving Clipart Courtesy Fanpop

Grand Old Bart! :)

 Poor Bart Maverick...

Although Bart and Jack Kelly were official stars of Maverick, Brother Bret and James Garner accounted for much of the merchandising and Mavertising during the show's early days.   

For instance, there were Bret Maverick rider and gunfighter figures issued by Hartland Plastics. However, Hartland didn't see fit to issue any Bart figures.  

Or, this clever bit of ephemera ballyhooing Maverick and its sponsor Kaiser Foil:

Designed to resemble paper currency it proclaims, "Bret Maverick--'The Man With The Thousand Dollar Bill'--blazes his way across your TV Screen every Sunday Evening, ABC-TV Network. Don't miss him!"

But, Bret wasn't the only man with a grand on Maverick. Bart had one, too. He even said so:

And, Bret didn't blaze across the TV screen every Sunday evening--sometimes it was Bart. (And, later Beau or Brent.)

Well, I can't do much to remedy the Hartland figure omission, but I did try to fix the faux $1000 bill situation. Ladies and Gentleman, presenting Bart Maverick--The Other Man With The Thousand Dollar Bill:

Don't miss him! And, please don't miss the next TDS, either! :)

Veterans Day 2020

 Veterans Day clipart courtesy of fg-a.com

Oh Brother (Bart)! :)

Happy Tuesday!

Today is another auspicious date in the history of Maverick. On November 10, 1957, viewers first met Jack Kelly's Bart Maverick in the episode "Hostage!"

Bart was born of necessity. Before Maverick had even premiered, newspaper columnist Erskine Johnson announced in August 1957 that Bret Maverick was getting a brother as a form of "health insurance" for the show's already overworked lead:

"James Garner...will have a kid-brother as a sort of ride-on. The lad, not yet cast, will star in an occasional stanza and dominate the plots of others, giving Garner time off to avoid joining the list of weekly TV performers who have collapsed from the strain."

The strain was genuine for Garner, because a lot was riding on this unconventional new western series and its then-unknown star. To meet the scheduling demands of weekly television, each episode of Maverick was being cranked out over a period of eight long days. The sole lead actor and filming crew soon found it impossible to maintain the grueling pace. 

So, a Maverick brother was added to help carry the load. The only question was, who was going to play him?

The answer was Jack Kelly: 

Although not exactly a "kid" (JK was in fact about eight months older than JG), it was eventually established that Bart was younger than Bret.

A fantastic photo of the smilin' Maverick brothers in "Hostage!" entered the Kellection not long ago. That's lucky guest star Laurie Carroll (as "Yvette Devereux") in the middle:

What's even cooler about this photo is that before it joined the Kellection, it was part of the personal collection of James Arness--yes, Marshal Dillon of Gunsmoke! :)

I also have an original script for "Hostage!":

Bart's first lines:

A brotherly reunion:

A scene sizzling with danger:

And, finally, the old Maverick switcheroo:

November 10, 1957, was also a meaningful date for JK because:

Well, I hope reading about JK's debut as Bart Maverick has made your Tuesday just a little bit better. Please stay tuned for more fun in TDS! :)

"Sub" of a Gun! :)

 

In tonight's episode of Maverick, Bart misplaces his pistol and must use his hand as a substitute gun. ;)

Seriously, this is a still from the "Substitute Gun" episode of Maverick which recently joined the Kellection. The episode first aired on April 2, 1961. 

Joining Jack Kelly in this still is erstwhile child actor Jack (Jackie) Searle, who portrayed the appropriately named Wilbur Smiley Drake. 

JS and JK would act together again in an episode of The Lucy Show titled "Lucy Makes a Pinch", which originally aired on November 9, 1964! 

Please stay tuned for the next TDS--accept no substitutes. :)

Remembering...

Lucky "Lass"

 Hello Everyone!

Wow, I can't believe it's November 1 already. 

Speaking of November 1--it was exactly 61 years ago today (Sunday, November 1, 1959) that the Maverick episode "The Lass With The Poisonous Air" premiered on ABC-TV.

The plot:

The storyline for this episode was adapted by Catherine Turney from series creator/producer Roy Huggins' novel Lovely Lady, Pity Me (which was also the basis for an episode of 77 Sunset Strip with the same title). 

On the outskirts of Denver, Bart gallantly rescues Linda Burke (Joanna Moore), whose horse is galloping out of control. The gambler and the lady fall in love and rendezvous by a lake every day. 

Lovely Linda remains coy about her private life during their lakeside trysts, neglecting to tell Bart that she's married to the wealthy guy he plays poker with in town. 

Linda has a rival for Bart's affection: Cathy, the teenaged daughter of the owner of the livery stable where his mare (Goldie!) is being stabled. Bart pays no attention to her, so she sneaks to the lake where she secretly spots him and Linda. Later, Cathy asks Bart to take her for a buggy ride, and they conveniently "happen" to pass by the Burke mansion in time to see Linda leaving for dinner with her husband.

Bart also has a rival for Linda's affection: Dana, a drunk who's already sore at Bart because he lost at poker to him. Dana knows about Bart's meetings with Linda and threatens to blab to her husband. He also taunts Bart until the gambler knocks him out.

The next day, Dana beats Bart to the lake and is shot in the back by Linda, who flees, leaving Bart to take the rap after he arrives to find Dana dead. Cathy warns him that the sheriff is on the way to arrest him for Dana's murder. Bart wonders how that's possible, because, didn't he just now discover the body, with no one else around?! 

Cathy hides him in a barn and urges him to run away. But, Bart wants to prove his innocence. He asks Cathy for some tattered old clothes and a nondescript horse to ride. Bart lopes into Denver and narrowly escapes after he's spotted by the sheriff. 

Bart scales a balcony into Linda's room at the mansion. She's startled to see him, but then professes her "love" for him. She tells him to go to the lake and she'll meet him there. 

Instead, Linda runs downstairs, screaming to her husband and the sheriff that Bart just tried to kill her. Then, Bart comes downstairs with his hands up. The sheriff hears him out. Linda's husband tries to alibi for her, but their stories become so contradictory that they finally confess that Linda is guilty of killing Dana. Bart goes free and can be his carefree gamblin' self again.

Although she had a poisonous air, Linda was a lucky lass to have been "extra chummy" with Bart Maverick. Unfortunately, her portrayer, Joanna Moore, wasn't so lucky. Following a promising start that included a brief stint as "Peggy" on The Andy Griffith Show and a marriage to actor Ryan O'Neal which produced actress Tatum O'Neal, Ms. Moore's career and life sadly declined. After battling drug addiction and lung cancer, Ms. Moore died at age 63 in 1997.

But, she shines in "The Lass With The Poisonous Air". Here are some original stills from the Kellection of Ms. Moore with Jack Kelly:

"BEHIND THE TV CAMERA", the snipe begins. "Jack Kelly, an old hand now at playing Bart Maverick, assists pretty Carole Wells [sic--yes, it really identifies Ms. Moore as the actress who played "Cathy"!] in getting the most out of the script of 'The Lass With the Poisonous Air', the next Warner Bros. Maverick show, in which she appears with Kelly. The new episode will appear on ABC-TV network Sunday, November 1." 

Another rehearsal still 

Surprise! 

It's Bart in disguise...

...And he's not buying Linda's lies! :)

The original snipe for this still says, "ROMANCE LEADS TO TRAP...Bart Kelly [sic--yes, the caption writer actually called him that!] gets chummy with a mysterious beauty named Linda (Joanna Moore) and ends up in a well-planned frame in 'The Lass With the Poisonous Air', ABC's Maverick teledrama Sunday, November 1 (7:30-8:30 PST). Jack Kelly stars as Bart Maverick."

Well, please stay tuned for more about Bart, er, I mean Jack Kelly in TDS.  :)

All Day With JK! :)

Hello!

While researching the previous posts about Drive A Crooked Road, I came across this block of movie ads from February 1, 1955:

Look closely. Notice anything interesting? 

Well, three movies with Jack Kelly were playing in theaters on this day: The Violent Men, Black Tuesday and They Rode West. Both the first and last of these films also co-starred his future wife May Wynn (Donna Kelly).

So, one could have spent all day watching JK! :)

Of course, we can do that today, too. And, thanks to modern viewing technology, fans can watch JK in his various roles at home, without having to rush between three different theaters. Still, it would have been fun to see him on the big screen.

Although JK played only supporting roles in these three films, he managed to attract the eye of a moviegoer when she and her friends saw him in Black Tuesday. She asked a fan magazine about "the good-looking actor who played 'Frank Carson' the reporter...Although his part was small, my friends and I were impressed." 

"The facts", but they got JK's birthday wrong! :0

Please stay tuned for more about our good-looking guy in TDS. :)

"Drive A Crooked Road" With JK - Pt. III

Hey!

Buckle up for Part III of our look at Jack Kelly in Drive A Crooked Road:

Eddie floors the souped-up getaway car through the desert, with Steve and Harold hanging on for dear life. He makes the run in the prescribed time (22 minutes), and he and the bank robbers part company after splitting the loot.

Back at his rooming house, Eddie phones Barbara. But, there's no answer.  

Barbara is at the beach house. Steve hands her a plane ticket to New York, expecting her to be glad the bank job was a success and they can start a new life with their ill-gotten gain.

Barbara isn't glad, however. She still regrets leading Eddie on and getting him mixed up in Steve's scheme. She wishes she could at least tell Eddie "good-bye". Steve callously dismisses her concern for "the midget". 

Suddenly, Eddie shows up at the door. Steve tells Barbara to hide.

Eddie explains to Steve that Barbara's landlady said she'd moved away. He couldn't believe she would just leave without telling him. Steve tells Eddie he hasn't seen Barbara and warns him to stay away. 

But, Barbara shows herself and tells Eddie the whole sordid truth, including the fact that he was targeted from the start and that she never really loved him.

"You've been had, Mr. Shannon," Harold interjects. 

Steve suddenly pulls a gun. Barbara's show of remorse is a death sentence for Eddie, since Steve fears he'll now tell the police about the robbery.

Barbara pleads for Eddie's life as Harold drags him toward the door, but Steve tells her, "You killed him--you killed him when you walked into this room."

Harold hustles Eddie outside and forces him at gunpoint to remove the car from the garage.

The uncropped version of this exact still from the Kellection
was used in Linda Alexander's print biography of Jack Kelly

Then, Harold tells Eddie to start driving very slowly up the highway.

He taunts Eddie: "C'mon, Shannon, you must be thinking about dying."

This gives Eddie an idea. He swerves the car towards the beach. It rolls down an embankment and flips over. Only one man survives the crash...

Drive A Crooked Road concludes with Steve ending up dead in the surf and the police closing in as Eddie comforts a hysterical Barbara on the beach.

Most of the reviews and publicity at the time of the film's release focused on the "new" Mickey Rooney, who abandoned his usual wisecracking screen persona to play "a lonely little guy who thinks with his heart". 

Jack Kelly dishes out the wisecracks in Drive A Crooked Road. He expertly portrays handsome Harold as the snarky accomplice to Steve's slick mastermind. But, when Harold is tasked with taking out Eddie at the end of the film, JK chillingly reveals the menace behind Harold's mirth. 

TRIVIA:

• Working titles for Drive A Crooked Road were Speedy Shannon and The Little Giant.
• Although now considered a film noir classic, Drive A Crooked Road wasn't a box office hit. Columnist Louella Parsons named it the "sleeper" movie of 1954, lamenting "Few people saw this, and more the pity."
• The screenplay was written by Blake Edwards, who would direct JK in the "Safe Journey" episode of The Star and the Story television series in 1954
• Also in 1954, JK and Dianne Foster appeared in the feature film The Bamboo Prison. In 1955, they appeared in The Violent Men starring Glenn Ford. 
• Like JK, several members of the supporting cast also had successful TV careers. Jerry Paris went on to co-star in The Dick Van Dyke Show and later directed episodes of that series as well as Happy Days and Laverne and Shirley. Paul Picerni become one of The Untouchables. And, Harry Landers was a regular on the Ben Casey TV series.
• And: You can watch Drive A Crooked Road right here! (Be sure to stick around for the original theatrical trailer at the end.) NOTE: If the video doesn't appear on the mobile version of this post, it can be viewed on the web version.

Well, that's all for our Drive with JK. Where will TDS travel to next? Please stay tuned and find out! :)

"Drive A Crooked Road" With JK - Pt. II

Hello!

Here's Part II of our look at Jack Kelly in Drive A Crooked Road:

Steve invites Eddie to the beach house to discuss a "business proposition". He dangles a carrot of $15,000 in front of Eddie, the sum needed for him to achieve his dream of living and racing cars in Europe. To earn the fifteen grand, all Eddie has to do is drive the getaway car after Steve and Harold rob the bank in Palm Springs.

Eddie is shocked by Steve's brazen offer. He can't believe what he's hearing. Steve tells him to discuss the matter with Barbara before he commits to it.

Eddie talks to Barbara, and is again shocked when she seems okay with the idea of him aiding and abetting bank robbers. Then, the penny drops:

"You knew all about this, didn't you?" Eddie asks Barbara.

"Yes," she admits. 

Eddie tells her he won't drive the getaway car. But, after Barbara gives him the cold shoulder, he changes his mind. 

Steve and Harold show Eddie a film of the treacherous desert route he'll have to negotiate at top speed. Then, they reveal the car he'll be driving. It's an ordinary vehicle, so as not to attract attention. 

Steve instructs Eddie to keep his day job. He'll spend his nights modifying the jalopy so it can handle the getaway sprint. Oh, and no Barbara until after the bank job is done, Steve tells Eddie. But, Eddie visits her for reassurance before the big heist.

In Palm Springs, Eddie, Steve and Harold travel to the home of the head teller, who leaves for his job at the bank every morning like clockwork. 

Harold hides in the teller's car and greets him with a gun. As Harold and the helpless teller drive to the bank, Eddie and Steve follow closely behind.

Soon, Harold exits the bank with a suitcase full of cash. And, the race begins...

FASTEN YOUR SEATBELTS, EVERYONE: IT'S GOING TO BE A BUMPY RIDE IN PART III--PLEASE STAY TUNED!

"Drive A Crooked Road" With JK :)

Howdy!

A bunch of memorabilia from Jack Kelly's 1954 feature film Drive A Crooked Road has trickled into the Kellection lately, including some original stills and this noir-ish French-Canadian lobby card:

"Fate Is At The Turn"

So, let's take a spin down this suspenseful Road:

JK portrays "Harold Baker", who is in cahoots with "Steve Norris" (Kevin McCarthy). Norris and Baker want to rob a bank in Palm Springs, but to do so, they need someone to help them make a fast getaway. So, they hang out at the local raceway in search of a speedy driver.

Steve asks Harold if the winner of one of the races would be a suitable candidate. Harold nixes that driver because he's a solid citizen. But, Harold tells him that the second place finisher, Eddie Shannon (Mickey Rooney), is the "right type"--because not only does he race cars, he's a master mechanic and an unhappy loner. 

Steve comments on Eddie's lack of height: "A little guy, isn't he?"

Harold shoots back, "So was Napoleon". 

Other grease monkeys at the upscale auto repair shop where Eddie works call him "Shorty" and tease him for his seeming lack of interest in "dames". 

The latter changes when a beautiful woman named "Barbara Matthews" (Dianne Foster) drives into the shop and specifically asks for Eddie, saying he was recommended as a mechanic who could fix her car's stalling problem. 

Eddie repairs Barbara's vehicle, but she calls the next day and says it won't start again. After Eddie drives to her apartment and fixes the car once more, Barbara goes to the beach. A smitten Eddie later decides to go to the beach as well, where he finds Barbara...with Steve. 

Steve beats a hasty retreat. Barbara assures Eddie that Steve is just an old friend with a house at the beach. 

After Eddie and Barbara get to know each other, they attend a party at Steve's house.  

While Steve picks Eddie's brain about cars, Barbara dances with Harold, who derisively asks her how she's doing with the "little speed king".

Eddie takes Barbara back to her apartment and they sweetly say good night (or good morning). But, after Eddie leaves, Steve shows up. 

Barbara is, of course, only stringing Eddie along to draw him into Steve's and Harold's web. She's beginning to have regrets, though...

STAY TUNED FOR MORE ABOUT JK IN DRIVE A CROOKED ROAD IN THE NEXT TDS! :)

Yet Another Bundle From Brazil! :)

Olá!

Here's yet another fantastic look at Jack Kelly and Maverick on Brazilian television, courtesy of the March 24-30 1964 issue of  "Intervalo", with "The Brothers Maverick" as cover boys:

(If that photo looks familiar, it's the same image used on the cover of this Brazilian magazine, only flipped.)

Photo caption: "Jack Kelly is satisfied with the presence of Robert Colbert [Brent], replacing James Garner as Bret."

The text of the cover story (roughly translated with Google) reads:

"The Mavericks - Cute But Not Ordinary 

[I love that description! B27]

The brothers 'Maverick', Brent and Bart, and their cousin Beau, are noted for the impeccable elegance of their dress and how they present themselves. The three have all the requirements of the most perfect gentleman. For this reason, they can be called "cute" (but not ordinary), despite the questionable and sometimes not very honest activities they perform. They enable Brazilian viewers to watch vibrant adventures set in the rugged American West, at the time of the pioneers. See them on Channel 13 in Rio (Saturdays, 21:45) and Channel 5 in Sao Paulo (Tuesdays, 21:35)."

"Next week, the Maverick series begins its second season in São Paulo and Rio. A change for this second season: the replacement of James Garner by Robert Colbert, who will play Brent Maverick, with Jack Kelly continuing as Bart Maverick.

"Living incredible adventures in the old west, the Mavericks are  admired as the quickest on the trigger, although they insist on not being identified as such. They prefer to be known as romantic and adventurous players. Each episode has light and picturesque humor, interconnected with a mild dose of romance, provoked by the two brothers who, even following different paths, invariably end up in the direction of a beautiful girl who always arouses their passion. Bold poker players, they always risk a bluff, or some trick, although they claim great honesty. They are impeccable dressers, contrasting with the inhabitants of the places they pass through.

"Brent and Bart alternate their adventures weekly and in each program they play opposite excellent and renowned stars of television and cinema. This new phase of Maverick presents a new figure, whose interpreter is already known to viewers in Sao Paulo and Rio for his role as "Ivanhoe": Roger Moore, who plays the part of Beau Maverick, cousin of Brent and Bart. 

"Completely dubbed into Portuguese at Cinecastro Studios, the series should continue to delight the public, who are used to admiring and applauding the adventures of the Maverick brothers. Rio residents will continue to follow them on TV-Rio, Channel 13, while São Paulo will keep their receivers tuned to TV-Paulista, Channel  5, every Tuesday, at 21:35 hours."

Wow, that's interesting, how Brent is described as a regularly occurring character, when he appeared in only two episodes. And, how Beau is described as a "new" character, when he actually appeared in the episodes before Brent showed up and then vamoosed. 

Well, where in the world will TDS travel to next? Please stay tuned and find out! :)