"Drive A Crooked Road" With JK - Pt. III

Hey!

Buckle up for Part III of our look at Jack Kelly in Drive A Crooked Road:

Eddie floors the souped-up getaway car through the desert, with Steve and Harold hanging on for dear life. He makes the run in the prescribed time (22 minutes), and he and the bank robbers part company after splitting the loot.

Back at his rooming house, Eddie phones Barbara. But, there's no answer.  

Barbara is at the beach house. Steve hands her a plane ticket to New York, expecting her to be glad the bank job was a success and they can start a new life with their ill-gotten gain.

Barbara isn't glad, however. She still regrets leading Eddie on and getting him mixed up in Steve's scheme. She wishes she could at least tell Eddie "good-bye". Steve callously dismisses her concern for "the midget". 

Suddenly, Eddie shows up at the door. Steve tells Barbara to hide.

Eddie explains to Steve that Barbara's landlady said she'd moved away. He couldn't believe she would just leave without telling him. Steve tells Eddie he hasn't seen Barbara and warns him to stay away. 

But, Barbara shows herself and tells Eddie the whole sordid truth, including the fact that he was targeted from the start and that she never really loved him.

"You've been had, Mr. Shannon," Harold interjects. 

Steve suddenly pulls a gun. Barbara's show of remorse is a death sentence for Eddie, since Steve fears he'll now tell the police about the robbery.

Barbara pleads for Eddie's life as Harold drags him toward the door, but Steve tells her, "You killed him--you killed him when you walked into this room."

Harold hustles Eddie outside and forces him at gunpoint to remove the car from the garage.

The uncropped version of this exact still from the Kellection
was used in Linda Alexander's print biography of Jack Kelly

Then, Harold tells Eddie to start driving very slowly up the highway.

He taunts Eddie: "C'mon, Shannon, you must be thinking about dying."

This gives Eddie an idea. He swerves the car towards the beach. It rolls down an embankment and flips over. Only one man survives the crash...

Drive A Crooked Road concludes with Steve ending up dead in the surf and the police closing in as Eddie comforts a hysterical Barbara on the beach.

Most of the reviews and publicity at the time of the film's release focused on the "new" Mickey Rooney, who abandoned his usual wisecracking screen persona to play "a lonely little guy who thinks with his heart". 

Jack Kelly dishes out the wisecracks in Drive A Crooked Road. He expertly portrays handsome Harold as the snarky accomplice to Steve's slick mastermind. But, when Harold is tasked with taking out Eddie at the end of the film, JK chillingly reveals the menace behind Harold's mirth. 

TRIVIA:

• Working titles for Drive A Crooked Road were Speedy Shannon and The Little Giant.
• Although now considered a film noir classic, Drive A Crooked Road wasn't a box office hit. Columnist Louella Parsons named it the "sleeper" movie of 1954, lamenting "Few people saw this, and more the pity."
• The screenplay was written by Blake Edwards, who would direct JK in the "Safe Journey" episode of The Star and the Story television series in 1954
• Also in 1954, JK and Dianne Foster appeared in the feature film The Bamboo Prison. In 1955, they appeared in The Violent Men starring Glenn Ford. 
• Like JK, several members of the supporting cast also had successful TV careers. Jerry Paris went on to co-star in The Dick Van Dyke Show and later directed episodes of that series as well as Happy Days and Laverne and Shirley. Paul Picerni become one of The Untouchables. And, Harry Landers was a regular on the Ben Casey TV series.
• And: You can watch Drive A Crooked Road right here! (Be sure to stick around for the original theatrical trailer at the end.) NOTE: If the video doesn't appear on the mobile version of this post, it can be viewed on the web version.

Well, that's all for our Drive with JK. Where will TDS travel to next? Please stay tuned and find out! :)

"Drive A Crooked Road" With JK - Pt. II

Hello!

Here's Part II of our look at Jack Kelly in Drive A Crooked Road:

Steve invites Eddie to the beach house to discuss a "business proposition". He dangles a carrot of $15,000 in front of Eddie, the sum needed for him to achieve his dream of living and racing cars in Europe. To earn the fifteen grand, all Eddie has to do is drive the getaway car after Steve and Harold rob the bank in Palm Springs.

Eddie is shocked by Steve's brazen offer. He can't believe what he's hearing. Steve tells him to discuss the matter with Barbara before he commits to it.

Eddie talks to Barbara, and is again shocked when she seems okay with the idea of him aiding and abetting bank robbers. Then, the penny drops:

"You knew all about this, didn't you?" Eddie asks Barbara.

"Yes," she admits. 

Eddie tells her he won't drive the getaway car. But, after Barbara gives him the cold shoulder, he changes his mind. 

Steve and Harold show Eddie a film of the treacherous desert route he'll have to negotiate at top speed. Then, they reveal the car he'll be driving. It's an ordinary vehicle, so as not to attract attention. 

Steve instructs Eddie to keep his day job. He'll spend his nights modifying the jalopy so it can handle the getaway sprint. Oh, and no Barbara until after the bank job is done, Steve tells Eddie. But, Eddie visits her for reassurance before the big heist.

In Palm Springs, Eddie, Steve and Harold travel to the home of the head teller, who leaves for his job at the bank every morning like clockwork. 

Harold hides in the teller's car and greets him with a gun. As Harold and the helpless teller drive to the bank, Eddie and Steve follow closely behind.

Soon, Harold exits the bank with a suitcase full of cash. And, the race begins...

FASTEN YOUR SEATBELTS, EVERYONE: IT'S GOING TO BE A BUMPY RIDE IN PART III--PLEASE STAY TUNED!

"Drive A Crooked Road" With JK :)

Howdy!

A bunch of memorabilia from Jack Kelly's 1954 feature film Drive A Crooked Road has trickled into the Kellection lately, including some original stills and this noir-ish French-Canadian lobby card:

"Fate Is At The Turn"

So, let's take a spin down this suspenseful Road:

JK portrays "Harold Baker", who is in cahoots with "Steve Norris" (Kevin McCarthy). Norris and Baker want to rob a bank in Palm Springs, but to do so, they need someone to help them make a fast getaway. So, they hang out at the local raceway in search of a speedy driver.

Steve asks Harold if the winner of one of the races would be a suitable candidate. Harold nixes that driver because he's a solid citizen. But, Harold tells him that the second place finisher, Eddie Shannon (Mickey Rooney), is the "right type"--because not only does he race cars, he's a master mechanic and an unhappy loner. 

Steve comments on Eddie's lack of height: "A little guy, isn't he?"

Harold shoots back, "So was Napoleon". 

Other grease monkeys at the upscale auto repair shop where Eddie works call him "Shorty" and tease him for his seeming lack of interest in "dames". 

The latter changes when a beautiful woman named "Barbara Matthews" (Dianne Foster) drives into the shop and specifically asks for Eddie, saying he was recommended as a mechanic who could fix her car's stalling problem. 

Eddie repairs Barbara's vehicle, but she calls the next day and says it won't start again. After Eddie drives to her apartment and fixes the car once more, Barbara goes to the beach. A smitten Eddie later decides to go to the beach as well, where he finds Barbara...with Steve. 

Steve beats a hasty retreat. Barbara assures Eddie that Steve is just an old friend with a house at the beach. 

After Eddie and Barbara get to know each other, they attend a party at Steve's house.  

While Steve picks Eddie's brain about cars, Barbara dances with Harold, who derisively asks her how she's doing with the "little speed king".

Eddie takes Barbara back to her apartment and they sweetly say good night (or good morning). But, after Eddie leaves, Steve shows up. 

Barbara is, of course, only stringing Eddie along to draw him into Steve's and Harold's web. She's beginning to have regrets, though...

STAY TUNED FOR MORE ABOUT JK IN DRIVE A CROOKED ROAD IN THE NEXT TDS! :)

Three Days of "Night" Pt. III

And finally, the U.S. pressbook for The Night Holds Terror:

It contains 16 oversized pages of newspaper ads, blurbs and suggested publicity campaigns for the film.

The campaigns--like the ads--play upon the audience's fear of being victimized by juvenile delinquents and other criminals. The intro page states:

"'NIGHT' HOLDS SHOWMANSHIP--Title and theme of The Night Holds Terror make the film an exploitation 'natural' in this time of increasing headline concern with juvenile delinquency and crime. The Night Holds Terror can hit your town like a ton of shocks, if you pave the way through showmanship aimed at newspapers, radio/TV, public officials...and every citizen for whom The Night Holds Terror today!"

Some of the suggested campaigns include: creating safety posters which incorporate the film's title into slogans including "Beware! The Night Holds Terror!" and "Don't Stop for Hitch-Hikers--The Night Holds Terror!"; persuading local merchants to offer crime deterrents such as locks, police whistles, alarms, door chains, window bars, etc., and then having them advertise, "The Night Holds Terror, But Not For Our Customers!"; and holding an essay contest seeking the best answer to the question "If a Stranger Walked Into Your House With a Loaded Gun, What Would You Do?" (Run!)

Theatre owners were also advised to make the "pointing gun-hand" artwork (as shown on the pressbook cover above) the focal point of their lobby displays for The Night Holds Terror. "When blown-up and cut-out", the artwork is "a shocker for your inner theatre lobby", the pressbook explains. The image could also be printed on cards placed on the sidewalk to direct patrons into the theatre and be used to cover door panels, overhead boards and stair risers in the lobby.

Then, there are the spine-tingling newspaper ads:

 

 

 

And the provocative posters:

(Moviegoers were probably "Terror"-fied before they even saw the picture!)

The pressbook also contains some blurbs about the actors, including a nice write-up about Jack Kelly:

 

Well, that wraps up our look at pressbooks for The Night Holds Terror. Please stay tuned for much more about JK in TDS! :)

Three Days of "Night" Pt. II :)

Happy Monday!

Presenting an Italian pressbook for The Night Holds Terror:

I've actually had it for a little while and have shared the cover in TDS before. Here's the first inside page with a synopsis titled "Una notte senza fine" ("An endless night"):

 

The next page displays stills from the film (the text at the top translates as "Hours of uncertainty and a sudden decision"):

 



Please stay tuned for one more pressbook from The Night Holds Terror.

Three Days of "Night" :)

Hello!

Three different pressbooks for The Night Holds Terror recently joined the Kellection and I'm here to share them with you in TDS.

First up: a French-language pressbook which screams the film's title (Nuit De Terreur) on its vivid yellow and white cover. Jack Kelly and his co-star Vince Edwards are pictured in a spooky illustration:

 

The next two images show the inside of the pressbook:

 

 

Finally, here's the back cover, which shows examples of posters and hair-raising phrases to use when publicizing the film such as "Vous aussi vous pourriez vivre cette...Nuit de Terreur!" ("You, too, could live this...Night of Terror!"):

 



Please stay tuned for a look at another pressbook for The Night Holds Terror.

The Night Holds Lobby Cards ;)

¡Hola!

Presenting a sensational Mexican lobby card for The Night Holds Terror which just joined the Kellection:

Translated it reads: "'Terror in the Night' - You desire to kill this man!"

Here's JK in the same image on the US lobby card (which, according to the stamp on the back of the card, is actually from Alberta, Canada!):

You can be sure that more about Jack Kelly is "in the cards" in TDS--please stay tuned! :)

That Has a "Crooked Ring" To It... ;)

Hi!

Let's "ring in" 2018 with some ephemera relating to Jack Kelly's 1955 movie Crooked Ring. Don't recognize the title? That's what the film was called in Great Britain. In the US, it was known as Double Jeopardy.

Below are scans of the film's British press brochure. It consists of one double-sided sheet. It's also legal-sized, so I fit as much of it as I could in my letter-sized scanner.

Highlights include one small photo of JK and a blurb which says, "UP-AND-COMING STAR IN 'CROOKED RING'--Jack Kelly, handsome six-footer in Republic's story of big-money blackmail, Crooked Ring...has only been in Hollywood since 1950, but from his record it appears he's likely to stay. To date, he has appeared in seventeen feature motion pictures and has been starred in six top-rated TV shows. For those who are superstitious, it might be well to note that Kelly's first Hollywood appearance was in a studio tryout play titled 'All It Takes Is One Good Break.'"

[Of course, this ignores the fact that JK acted in Hollywood films as a child, and thus his "first Hollywood appearance" took place years before he participated in studio showcases at Universal-International.]

Another write-up mentions JK: "TWO VILLAINS STUDIED LAW--Robert Armstrong and Jack Kelly, the two villains in Republic's drama of big-time blackmail, Crooked Ring...both studied to be lawyers prior to embarking upon acting careers. Armstrong studied law for three-and-a-half years at the University of Washington law school, while Kelly pored over legal books for one-and-a-half years before turning to thesping. World wars diverted each from the study of law. Armstrong served in World War I, while Kelly did his duty in World War II. Following their respective bits for their country, each sought a career in the entertainment world."

JK is also described in the brochure as "the believable 'cad' on whom [Gale] Robbins lavishes her extra-marital attentions".

Where in the world will TDS travel to next? Please stay tuned and find out! :)

JK in "The Night Holds Terror" Pt. IV




This very photo of a pensive JK was scanned and used in
Linda Alexander's 2011 print bio
'A Maverick Life--The Jack Kelly Story'

The terrifying night finally ends at the Courtier home and it's time to pick up the balance of the money. However, it's less than expected because Gene still owed money on the car. 

Batsford decides Gene will be worth more as a hostage and the thugs prepare to wisk him away. Batsford warns Doris not to call the police or Gene will die.

The frightened Doris tells him that she'll notify the police if Gene doesn't contact her within 30 minutes. Batsford has secretly rigged the phone and checks back five minutes later to ensure that Doris hasn't lifted the receiver.

While they're driving to a secluded hideout, Logan informs Batsford that Gene, while earlier pleading for his life, had told him that his father was the wealthy owner of a chain of grocery stores and could afford to pay a sizeable ransom for him.

Batsford calls Doris from a phone booth and demands a $200,000 ransom from Gene's father. By this time, Doris has already called the police, since she hadn't heard from Gene in the specified time. When Batsford puts Gene on the phone, he blurts out that the trio is monitoring the police frequency on the radio. 

(Phone booth appears to be located outside the Alibi Room at Larry Potter's Supper Club on Ventura Blvd. in North Hollywood, CA)

Doris contacts the police again and they cancel the radio dispatch on the case. A reporter learns about the kidnapping, but the police also silence the press to help ensure Gene's safe return. 

When Batsford phones Doris again to ask about the ransom payment, the police are able to partially trace the call and narrow down the kidnappers' location.

While Batsford goes to find another vehicle, Gene is able to knock Gossett out. Logan, who had told Gene he barely knew Batsford and Gossett, tries to help Gene escape by hotwiring a car. 

However, Batsford catches them, killing Logan and forcing Gene to make one last call to Doris as proof of life. Gene stalls on the phone, giving the police more time to trace the call and arrive at the scene. Doris is still on the line as shots are fired and is relieved when Gene comes on to tell her that he is indeed safe. 

The Night Holds Terror and JK generally received kudos from the critics. For example, The Oakland (CA) Tribune noted that JK and Ms. Parks were "especially good" as Gene and Doris Courtier. 

Here are some other interesting tidbits about the film:

•  The film's cinematographer was Fred Jackman, Jr., who at one time was married to JK's sister, Nancy.
• Virginia Stone edited the film on the pool table in the basement of her home.
• In a bizarre postscript following the film's release, one of Gene Courtier's real-life kidnappers sued Columbia Pictures for damages! Portrayed as "Batsford" in the film, the convict claimed that the film invaded his privacy and damaged his reputation. It's unknown how the suit was resolved. 

Well, we've wrapped up the story of The Night Holds Terror just in time for Christmas. What's up next? "Yule" just have to stay tuned and find out! :)

JK in "The Night Holds Terror" Pt. III

 

Back cover of Italian pressbook

Gene and his captors arrive at the Courtier home. Gene's wife, Doris, is frightened and anxious about the safety of their two children, Deborah and Steven, as their home is invaded by armed strangers.

Original still with the film's working title on the snipe. Caption reads: "GANGLAND TACTICS - John Cassavetes, David Cross and Vince Edwards hold Jack Kelly (center, seated) captive in Columbia's Terror in the Night,
produced and directed by Andrew Stone."

The Courtiers must remain silent about their situation or risk being hurt or worse by the trio. They turn away neighbors who show up unexpectedly. And, when Gene's father telephones, they cut the call short, not wanting to set off the kidnappers.

 

Original linen-backed still with Terror In the Night on the snipe

 

Another linen-backed Terror In the Night still 

 

Gosset, a ladies' man nicknamed "Dame Boy", gets drunk and makes Doris dance with him. Gene angrily throws a punch at him. Gosset punches back, only adding to the tension in the home.

 

 

After Batsford commandeers the master bedroom, Gene and Doris are forced to occupy a smaller room near the children.

 

 

Gosset, who is keeping watch as Batsford sleeps, nods off himself. When Logan momentarily steps away, Gene seizes his chance. He raises a pair of scissors over Gosset, planning to kill him and take his gun:

 

 

 

But, Logan returns before Gene can stab the slumbering hoodlum:

 

 

And, when Gosset awakes, he scuffles with Gene:

 

This still is from a newspaper archive. A clipping on the back dated 8/25/1955 is captioned: "With utter abandon, Courtier leaps at Gosset. There is some wild commotion for a few moments but Gene is battling against hopeless odds. One unarmed man against three gunmen is done for."

 

Please stay tuned for Part IV!

JK in "The Night Holds Terror" Pt. II

The ordeal of the Courtier family began when a hitchhiker was given a ride. Gene Courtier knew it was risky to pick up hitchhikers, but he figured everyone did it--what was the harm just this once? However, he didn't realize his passenger (Victor Gosset, played by Vince Edwards) would carjack him and have criminal cohorts lying in wait.

Gosset demands Gene's wallet and becomes angry when he finds only $10 inside. He forces Gene to pull off into the desert, where Gosset's fellow robbers Robert Batsford (John Cassavetes) and Luther Logan (David Cross) join them. Batsford upbraids Gosset for snatching a Mercury instead of a Lincoln.

Batsford wants to kill Gene but Logan doesn't, since they'll net only $10. Batsford doesn't care. He orders Gene to remove his jacket and shoes and lie face down on the sand.  

 

An original vintage linen-backed still. The snipe on the back reads: "ON THE SPOT - David Cross, John Cassevetas [sic] and Vince Edwards threaten to kill Jack Kelly in Columbia's Terror In the Night [working title]"

He fires a couple of shots near Gene's head to show him they mean business:

Then, Batsford realizes they might not have to kill Gene after all, if they can have his convertible. Gene anxiously agrees to sign the pink slip over to them so they can re-sell the car and keep the money. 

Gosset and Logan drive Gene to where he bought the car to see what they can get for it.

 

 While waiting for the car to be appraised, Gene spies an open side door inside the dealership and plots his escape. But, then he fears that other innocent people in the showroom may be harmed if he suddenly bolts from his trigger-happy captors.

 

 

Gosset and Logan are offered $2000 for the vehicle (the salesman in the center is played by Barney Phillips). However, the dealership has only $500 on hand and can't give them the rest of the money until the next day.

 

 

 

Batsford decides they will wait overnight...at Gene's house.

Please stay tuned for Part III!